Last night I happend to find the high-quality version of this movie, so I downloaded it immediately.
Here I want to tell you what I was feeling about this film during my whole watching.
To be honest, the scarest scene, I think, is at the beginning about American haunting house where old female evil and child-ghosts made me cover my eyes with my hands.With terrified sound, this scenery succeed in scaring me to death.
Then the story shifted to a Britain family without father. A broken-heart and poor mother, some kids.
Being different from other movies, this one at once tells everyone inside and outside the film, there were really supernatural power in the house. So evils and main roles started fighting each other.The leading actor's cross was so powerful that it expelld the old ghost temporarily.
个人感觉温哥拍完《速7》之后对于电影的节奏控制力更强大了！
《招魂2》已经跳出了典型恐怖片一惊一乍的节奏。传统恐怖片的一大特点就是剧情与镜头的一惊一乍，达到恐吓观众的效果。好的恐怖片就是剧情与镜头切合，引人入胜，如同身临其境，然后一惊一乍，体会心跳的加速。而差的恐怖片就是剧情与镜头脱离，观众虽然有一惊一乍的感觉，但只局限刹那画面切换的感觉。至于那些剧情无聊的，就不说了。但是纵观《招魂2》不难看出，温哥的心思已经跳跃了通过视觉效果追求恐吓效果。
首先温哥的恐怖片，剧情严谨，逻辑性强是绝对不容置疑的。《死寂》就是典型的恐怖片，镜头切换、效果什么的，在逻辑之中一惊一乍，观众就像坐过山车一样。那种突然就来一下的感觉，应该很多恐怖片爱好者也是深有体会吧。但是从《潜伏》系列，温哥的个人才华就开始暴露无遗。《潜伏1》一个故事娓娓道来，却节奏感超强，将恐怖的波澜铺平，并非传统一惊一乍，而是一股一股暗涌扑面而来。没有大起大落，就是一步一步踏进深渊的感觉。强大的剧情将观众刺激得头皮发麻
$什么是真正让人害怕的 ｜ 招魂2
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