The final chapter of director John Frankenheimer’s paranoia trilogy (afterTHE MANCHURIAN CANDIDATE 1962 and SEVEN DAYS IN MAY 1964), SECONDS posits the possibility of a second chance to start one’s life with a clean slate, through proper plastic surgeries and a fake death, and our protagonist is a 51-year-old bank manager Arthur Hamilton (Randolph, cogently laying bare his ambivalence concerning the wacky proposition), who is consequentially, reborn as Tony Wilson (Hudso
影片的音效绝对可以秒杀众多恐怖片千辛百苦浪费血浆或鬼怪营造出的惊悚气氛,尖锐拉长的提琴声让人起了一身鸡皮疙瘩。在播放这段诡异的片头音乐时,画面一直呈现扭曲状态:不同的人脸被拼接到一起,人的某一个部位被任意拉长缩短,仿佛冥冥中有某种强大的力量逼迫着人们做出改变,随之而来的才是片名。这充满焦虑感的音乐和画面混搭恰好迎合了本片的主题:重生,令人印象深刻。
全片画面始终呈现出一种现代社会的病态感:频率极高的面部特写既放大了情绪写照也增添了茫然感
“第二生命”富有感染力的剧情片 惊世骇俗的脱胎换骨
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