Maggie Gyllenhaal在《我爱你巴黎》(Paris, je t'aime )里饰演Quartier des Enfants Rouges
(紅孩子區)的吸毒女,我说怎么那么眼熟呢。
Emma Thompson饰演的女作家 Karen Eiffel在创作想象中的情节很有意思,
比如站在桌子上想象跳楼、在雨中坐着吸烟想象翻车下河等.
就是躲闪登着单车的那个小男孩,居然成为了Harold Crick的死因。
被猪宝宝说中了。可我就是没有这样的预见能力。~~~
但最终 Eiffel被感化了,她终于没有再杀人,
让那块给Harold Crick如数学算式般机械准时的手表的芯片救了他。
对Emma Thompson的表演很赞,那种作家的歇斯底里和有点神经质的感觉,或许时而的小孩子气。
没看的时候以为说的是陌生人的故事。看了才知道应该译作《比小说更奇幻》。
所以更喜欢《奇幻人生》多一点。
——假如你明知自己会死去,而且知道如何死去,你会怎么做?
《死神来了》前后用了五部来回答这个问题,无外乎主人公使出浑身解数躲避灾难,但最终仍难逃脱命运的安排,然而《奇幻人生》却给出了不同的答案。
电影主人公哈罗德是一个国税审计师,而且应该说是一个理科尖子生,因为他让自己的生活充满了数字、时间和算术。他每天都要给每颗牙刷上72遍,来回刷38遍,上下刷38遍;打单结领带,因为能省去43秒;以每街区57步速率赶上8点17分的班车;用45.7分钟吃午餐,4.3分钟喝咖啡;他能快速计算,以致同事都直接向他询问而懒于动动手指按计算器。他少言寡语,按部就班,一尘不变的生活着,孤独而又平静,可是一个声音却打破了这种表面的和谐。哈罗德的脑袋里时常充斥着一个女人的声音,她准确无误地描述着哈罗德的生活,这令哈罗德感到奔溃,更糟糕的是,这个声音告诉他将要死去。
“因为我一直是这样,所以你以为我永远是这样,但这一次你错了,我改变得令你难以想象。”是的,哈罗德的生活变了。在教授的启迪下,他想起了最初的梦想
Why has literature been loved by the world for so long? One answer is that literature reflects humanity and solves conflicts within humanity. But starting from its name, “Stranger than Fiction”, the movie begins to question the credibility of literature. Would the character agree with the literature he is in? The movie gives us an answer of “no”. Do we like people dying in reality? If not, then why do we like to read literature with a lot of deaths? Life and literature can never form a harmony. Even Harold Crick, the main character of the fiction, agreed at last that for a great literature, he had to behave against his instinct and die for the sake of art. What is wrong with literature? –and more sharply, for many of us thinking deaths makes a good literature, what is wrong with our mind? For me the conflict is between us readers’ pursuit of greatness and real life’s trivi
《奇幻人生》紧凑的喜剧片 亡于手表 存于手表
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